Yesterday was Traveling‘s book birthday at Hyacinth Girl Press. It was a very fun day of celebrating this weird little baby of gender exploration here on Earth and in the greater astral plane.
I am beyond thrilled with the cover and design of this chapbook. Tess Wilson did the editorial work. She is amazing. Huge thanks to her and Margaret Bashaar. The book and cover design is by Sarah Reck, and the cover art is by Tristin Miller.
You can hear me read from the title sequence here. Sequences from the chap are available online at Menacing Hedge and Wicked Alice.
Traveling is now available for order!
Three poems from Imaginary Kansas, forthcoming from dancing girl press in spring/summer 2015 went up at Melancholy Hyperbole: Poetry About Longing on March 12. I love longing. Well, my poems love longing. Or, I’ve always said that Imaginary Kansas fragments and queers longing. So.
The micro-poems featured are “[In this one, I imagine myself as a],” “Why can’t we be married and live in the farmhouse your parents bought on a whim?,” and “Undressing in front of your photograph in the evening.” These are some of the tiniest fragments in the project and, especially in the case of “Why can’t we…” some of my (terrifying) favorites. I’m really excited by the format of Melancholy Hyperbole, which invites direct commenting from readers. What a thrill!
This weekend February 6 through 8, Sarah Ann Winn and I will be on a mini tour of Knoxville, Tennessee thanks to Sundress Academy for the Arts and Sundress Publications!
On Friday, we will participate in the Dirty Laundry First Friday Reception at Paulk+Co. The event features the photography of Diane Corey, community arts projects from KnoxKnowHow and Breaststrokes Knoxville, and, of course, pop-up poetry from SAFTA.
On Saturday, we will give a writing workshop at SAFTA. In Monsterworks: Hybrid Genres and Revision, we will explore collage, remix, and a little bit of book arts to revise stuck projects in any genre and to create new pieces. We did a mini-sode of the SAFTAcast to talk about the workshop and…other things. A lot of other things.
On Sunday, we will join Artress Bethany White in the SAFTA Reading Series at The Birdhouse.
This weekend is the launch of Sarah’s chapbook from Sundress Publications, Portage. My full-length collection Theater of Parts is forthcoming from Sundress in 2016. I’m so excited for this trip and to hang out with the wonderful folks of SAFTA and Knoxville!
Cahoodaloodaling has published a themed issue entitled The Animal Becomes Us. The call asked for a wide interpretation of the theme, and I sent Milquetoast’s origin story, the preface piece of Theater of Parts. This piece was originally printed in Gargoyle, and I’m happy for it to share space here with other beasts, including a piece from Sally Deskins and Laura Madeline Wiseman. You can read “What Toast?” here.
In the month of November, my friend and colleague Nicole Tong curated a series of interviews with writers at Les Femmes Folles: Women in Art and she was kind of enough to include me. LFF is a curated spotlight on women (ish in my case) artists in any media. Les Femmes Folles is run by Sally Brown Deskins, an artist I greatly admire, informed and inspired by Wanda Ewing.
Nicole’s series included myself, essayist and short fiction writer Kirsten Clodfelter, travel writer Amy Gigi Alexander, and poet Allison Wilkins.
Nicole and Sally were also kind enough to reprint one of my cable shopping poems, which Stirring: A Literary Collection has nominated for a Pushcart. You can read my interview here, in which I discuss gender and Gazing Grain Press and national parks and cable shopping poems and breaking systems down and: